Online archív Slovenskej filharmónie bol navrhnutý a naprogramovaný tímom Streamboyz. Videá sú umiestnené na serveroch občianskeho združenia Multiplace. Použitie, šírenie fotografií a audiovizuálneho obsahu tejto stránky len so súhlasom Slovenskej filharmónie. Tento web používa súbory cookies. Prehliadaním webu vyjadrujete súhlas s ich používaním. Viac informácií. Slovenská filharmónia je štátna príspevková organizácia Ministerstva kultúry Slovenskej republiky.
The Online archive of Slovak Philharmonic was designed and programmed by Streamboyz Team. Concerts are located on the Multiplace servers. Use and distribution of photographs and audiovisual content of this site only with the consent of the Slovak Philharmonic. This site uses cookies. By continuing to browse the site, you are agreeing to our use of cookies. Find out more. The Slovak Philharmonic is a state-subsidised organisation of the Ministry of Culture of the Slovak Republic.
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Slovak Philharmonic
Bratislava Music Festival
Johann Nepomuk Hummel International Piano Competition
Ministry of Culture of Slovak Republic Kontakt na tím Streamboyz+
Slovenská filharmónia
Bratislavské hudobné slávnosti
Klavírna súťaž Johanna Nepomuka Hummela
Ministerstvo kultúry Slovenskej republiky
1 H 12 MIN 1 H 12 MIN
Piano Recital II – Peter Pažický
Utorok 28. 1. 2025, 19.00 hTuesday, January 28, 2025, 7.00 PMCyklus K – Klavír a klaviristi
Malá sála Slovenskej filharmónieK serie – Piano and pianists
Small Hall of Slovak Philharmonic
Sonata for piano Alexander Moyzes is the work of a young composer. It is a solitaire of its kind within the Slovak classical composer’s oeuvre and was written as a revision of Seven Pieces for Piano. Bela Bartók’s Sonata** is a largely experimental work in the field of harmony, or sonority, metre-rhythm and the use of the instrument. The Polish composer Karol Szymanowski was also close to experimentation - but not purposeful experimentation.** He was an admirer of the poetics of the ‘impressionists’, but during his travels he also absorbed the poetics of Arabic and Middle Eastern cultures. In the Third Piano Sonata, however, he partly returned to the classical ideal. While Leoš Janáček did not favour the sonata genre in his work, Sonata 1. X. 1905 is a unique and extremely expressive title of this kind.
