Online archív Slovenskej filharmónie bol navrhnutý a naprogramovaný tímom Streamboyz. Videá sú umiestnené na serveroch občianskeho združenia Multiplace. Použitie, šírenie fotografií a audiovizuálneho obsahu tejto stránky len so súhlasom Slovenskej filharmónie. Tento web používa súbory cookies. Prehliadaním webu vyjadrujete súhlas s ich používaním. Viac informácií. Slovenská filharmónia je štátna príspevková organizácia Ministerstva kultúry Slovenskej republiky.
The Online archive of Slovak Philharmonic was designed and programmed by Streamboyz Team. Concerts are located on the Multiplace servers. Use and distribution of photographs and audiovisual content of this site only with the consent of the Slovak Philharmonic. This site uses cookies. By continuing to browse the site, you are agreeing to our use of cookies. Find out more. The Slovak Philharmonic is a state-subsidised organisation of the Ministry of Culture of the Slovak Republic.
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Klavírna súťaž Johanna Nepomuka Hummela
Ministerstvo kultúry Slovenskej republiky
1 H 47 MIN 1 H 47 MIN
Johann Sebastian Bach – The Brandenburg Concertos
Nedeľa 16. 3. 2025, 16.00 hSunday, March 16, 2025, 4.00 PMCyklus SKO – Slovenský komorný orchester
Koncertná sieň Slovenskej filharmónieSKO serie – Slovak Chamber Orchestra Concerts
Concert Hall of Slovak Philharmonic
Ewald Danel artistic leader, violino piccolo, violin, Martina Bernášková flute, Martina Mestická flute, Cyril Šikula flute, Róbert Holota oboe, Róbert Krchniak oboe, Ladislav Roth oboe, Peter Kajan bassoon, Kamil Barciok trompete, Jan Vobořil French horn, Jan Vobořil ml. French horn, Judit Izsák harpsichord
Slovenský komorný orchester (Pavel Bogacz violin, Martina Karnoková violin, Marián Svetlík violin, Peter Šaray violin, Igor Maršálek violin, Viliam Trgo violin, Iveta Blažejová violin, Peter Zwiebel viola, Martin Petrík viola, Juraj Madari viola, Andrej Gál cello, Katarína Baarová cello, Aleksei Kardash cello, Marián Bujňák doublebass)
Johann Sebastian Bach devoted himself to the instrumental concerto genre quite often and systematically. The creation of many works of this kind is shrouded in mystery, despite the activity of biographers; manuscripts are lacking, or only fragments exist. What is certain is that Bach particularly admired the works of Antonio Vivaldi in the field of the solo concerto. In the case of the Brandenburg Concertos collection, however, he definitely broke away from the models and created a new model approaching in many details the symphonic projects of the future. The solo harpsichord cadenza in the Fifth Concerto is quite innovative. The keyboard instrument stepped out of the anonymity of the basso continuo section - signaling a new epoch.
